The Sticking Place

• Films
  • A Time to Stir
    • Introduction
    • Stir It Up
    • Articles and Documents
      • Up Against the Ivy Wall
      • Open Letter to
        President Kirk from
        Mark Rudd
      • The Strike: A Critical Reappraisal
      • The 214th Columbia University Commencement Address
      • A Campus Rebel’s Confession
      • Columbia Liberated
      • Why We Strike
      • “Gym Crow Must Go!”
      • Big Bust on
        Morningside Heights
      • Two, Three, Many Columbias
      • Who Rules Columbia?
      • Columbia College
        Today 1968
      • Our Demands
      • In a Crisis the
        Center Falls Out
      • The Columbia Crisis
      • Right Face, Left Face
      • The Night They Burned Ranum’s Papers
      • Who Cares for Columbia?
      • Columbia by Mark Rudd
      • A Flawed Example of the Radical Movement
      • Black Power at Columbia
      • Tom Hayden
      • Remaking a Community
      • The Columbia Statement
      • 69 Demands
      • The Campus and its Critics
      • On the Steps
        of Low Library
      • The Uprising at Columbia
  • Naked Under
    the Waterfall
    • Naked Under
      a Waterfall
  • Once out of nature…
    • Introduction
    • Once out of nature…
  • In the Beginning
    was the Image
    • Introduction
    • In the Beginning
      was the Image
    • Dialogue Transcript
    • Articles
      • BBC Bans Jagger’s Film
      • Wholly Experience
      • Film Man’s Philosophy
      • A Briton Who Came
        to Manhattan
      • The London Scene
      • The Fall
      • I Destroy Therefore I Am
      • Taboo or not taboo
      • Mind Games
      • Peter’s Friends
      • Wholly Communion
      • Ted Hughes
      • Notes from Underground
      • Those crazy, joyous days
      • Peter Whitehead
        Was There
      • How the Mythology of
        1960s Was Exploited to
        Sell Tony Blair
      • Warsaw Ghetto
      • On Independence
      • The Perception of Life
      • Going to Pot
      • Illuminating the Evidence
      • The Falconer: The Three Lives of Peter Whitehead
      • The Inadvertent Agent
    • Falconry
      • Whitehead’s flight
        with the falcon
      • Briton Helps Falcons
        Learn to Live
      • Falcon Man of the Asir
      • Seeking Enlightenment
      • Falcon smuggling and the British connection
      • Falcons find
        breeding at Asir
      • Appeal of Falconry
        Remains Strong
      • Rare falcons die
        in Spain’s net
  • Mackendrick on Film
    • Mackendrick on Film
    • An Explanatory Note
      to Participants
    • Study Sheets
    • A Handout for Participants
    • Dramatic Jargon
    • Dramatic Construction
    • Organising the Questions
    • Handouts
      • A Streetcar Named Desire
      • Fellini’s 8½
      • The Third Man
      • Oedipus
      • The Watergate Hearings
    • Book: On Film-Making
  • Film as a
    Subversive Art
    • Introduction
    • Film as a Subversive Art
    • Dialogue Transcript
    • Amos Vogel 1921 – 2012
    • Book extract: Preface
    • Book extract: Introduction
    • Scott MacDonald foreword
    • Film Quarterly review
    • Scott Macdonald interview
    • Time Out New York
    • Life as a Subversive Art
    • My Modest Intention
    • Amos Vogel, Saboteur
    • Marcia Vogel 1921 – 2009
    • Poetry and the Film
      A Cinema 16 Symposium
    • On Shadows and
      Pull My Daisy
    • The Unfulfilled Promise of Film at Lincoln Center
  • “Look out Haskell,
    it’s real!”
    • Introduction
    • “Look out Haskell, it’s real!” The Making of Medium Cool
    • Dialogue Transcript
    • The Concrete Wilderness
    • First draft script
    • Handbook of
      Production Information
    • Preliminary Production
      Notes and Synopsis
    • Articles and Interviews
      • New Twist: Write Script,
        Let Riots Happen
      • The World According
        to Wexler
      • Notes on Involved Commercial Cinema
      • To the Barricades
      • The camera never lies
      • Pulling out all the f-stops
      • Chicago and
        Other Violences
      • A View of the Future
      • The People’s Cinematographer
      • American Cinematographer
      • Journey Toward a Dream
      • The Danger Is Seduction
      • “See, nothing is ‘real’”
      • The ‘Woolf’s’ Young Turk
      • Sight and Sound
      • Cinematographer Who Pictures Reponsibility
      • Finally Coming In
        From the ‘Cool’
      • ‘Medium Cool’ for
        the Medium Young
      • Chicago Cool
      • Filming on a Mortgage
      • Michael Renov
      • Senses of Cinema
      • Too Hot Not to Cool Down
      • Wexler’s Woes on First Pic
      • Our Time:
        Arlo and Chicago
      • Robert Forster
      • Verna Bloom
      • National Film Registry
      • Haskell Wexler’s Latino
    • Reviews and Commentary
      • Hollis Alpert
      • Gary Arnold
      • Paul Arthur
      • Vincent Canby
      • Charles Champlin
      • Dennis J. Cipnic
      • Jay Cocks
      • John Coleman
      • Richard Corliss
      • Jan Dawson
      • Peter David Dibble
      • Roger Ebert 1
      • Roger Ebert 2
      • Stephen Farber
      • Philip French
      • Penelope Gilliatt
      • Todd Gitlin
      • Gordon Gow
      • Howard Hampton
      • Hendrik Hertzberg
      • Penelope Houston
      • David James
      • Stanley Kauffmann
      • John Mahoney
      • Derek Malcolm
      • Jim Marugg
      • Tom Milne
      • Joseph Morgenstern
      • Penelope Mortimer
      • Ken Moskowitz
      • William S. Pechter
      • Rex Reed
      • Michael Ross
      • Andrew Sarris
      • Richard Schickel
      • Arthur Schlesinger
      • Marie Seton
      • Judith Shatnoff
      • John Simon
      • Gene Siskel
      • Louise Sweeney
      • Dan Wakefield
      • Richard Whitehall
      • Whitney Williams
  • Sooner or Later
    • Introduction
    • Sooner or Later
    • Harold Blankenship
      is a movie star
    • Family
    • Sixteen Ton
    • Appalachian Values
    • Uptown: The Promised Land
    • Poor People’s Power
    • Appalachia: The Source
    • The Hillbillies
      Invade Chicago
    • Poverty is a Tougher
      Problem Than Ever
• Contact