Films
Film as a Subversive Art
Amos Vogel and Cinema 16 (2003)
My Modest Intention A Showcase for the Nonfiction Film Avant-garde Film Cinema 16 Explained Film as a Subversive Art Cinema 16: a film society remembered Love, Death and Politics Life as a Subversive Art Time Out New York The Camera as Pen Dogs and Jews Film Society Primer Advice to Film Lovers Witness and Catalyst The Structuralist Incursion Mechanisms of Domination Projections for the Future The Execution The Pointer Moves Memory and Prevention Q and A: Amos Vogel Democracy: Manipulations and Possibilities Fields of Rain Singing Regardless of Weather Tremors of Recognition Brief story outline for a film concerning God
New York Post, 2 October 1965