The Sticking Place

Pages in this section

• A Time to Stir
  • A Time to Stir
  • Stir It Up
  • Articles and Documents
    • Open Letter to
      President Kirk from
      Mark Rudd
    • The Strike: A Critical Reappraisal
    • The 214th Columbia University Commencement Address
    • A Campus Rebel’s Confession
    • Columbia Liberated
    • Why We Strike
    • Gym Crow Must Go!
    • Big Bust on
      Morningside Heights
    • Two, Three, Many Columbias
    • Who Rules Columbia?
    • Columbia College
      Today 1968
    • Our Demands
    • In a Crisis the
      Center Falls Out
    • The Columbia Crisis
    • Right Face, Left Face
    • The Night They Burned Ranum’s Papers
    • Who Cares for Columbia?
    • Columbia by Mark Rudd
    • A Flawed Example of the Radical Movement
    • Black Power at Columbia
    • Tom Hayden
    • Remaking a Community
    • The Columbia Statement
    • 69 Demands
• Sooner or Later
  • Sooner or Later
  • Extracts from film
  • Harold Blankenship
    is a movie star
  • Family
  • Sixteen Ton
  • Appalachian Values
  • Uptown: The Promised Land
  • Poor People’s Power
  • Appalachia: The Source
  • The Hillbillies
    Invade Chicago
  • Poverty is a Tougher
    Problem Than Ever
• Once out of nature…
  • Once out of nature…
• In the Beginning
  was the Image
  • In the Beginning
    was the Image
  • Dialogue Transcript
  • Extracts from film
  • Articles
    • BBC Bans Jagger’s Film
    • Wholly Experience
    • Film Man’s Philosophy
    • A Briton Who Came
      to Manhattan
    • The London Scene
    • The Fall
    • I Destroy Therefore I Am
    • Taboo or not taboo
    • Mind Games
    • Peter’s Friends
    • Wholly Communion
    • Ted Hughes
    • Notes from Underground
    • Those crazy, joyous days
    • Peter Whitehead
      Was There
    • How the Mythology of
      1960s Was Exploited to
      Sell Tony Blair
    • Warsaw Ghetto
    • On Independence
    • The Perception of Life
    • Going to Pot
    • Illuminating the Evidence
    • The Falconer: The Three Lives of Peter Whitehead
    • The Inadvertent Agent
  • Falconry
    • Whitehead’s flight
      with the falcon
    • Briton Helps Falcons
      Learn to Live
    • Falcon Man of the Asir
    • Seeking Enlightenment
    • Falcon smuggling and the British connection
    • Falcons find
      breeding at Asir
    • Appeal of Falconry
      Remains Strong
    • Rare falcons die
      in Spain’s net
• Mackendrick on Film
  • Mackendrick on Film
  • Study Sheets
  • Letter to Students
  • Dramatic Jargon
  • Organising the Questions
  • Handouts
    • The Third Man
    • Oedipus
    • The Watergate Hearings
  • Book: On Film-Making
• Film as a
  Subversive Art
  • Film as a Subversive Art
  • Dialogue Transcript
  • Extracts from film
  • Amos Vogel
  • Book extract: Preface
  • Book extract: Introduction
  • Film Quarterly review
  • Scott Macdonald interview
  • Marcia Vogel
  • Time Out New York
  • Life as a Subversive Art
  • My Modest Intention
  • Writings by Amos Vogel
    • Cinema 16 – A Showcase
      for the Nonfiction Film
    • Avant-garde Film
    • Film as a Subversive Art
    • The Camera as Pen
    • Dogs and Jews
    • Cinema 16 and the
      Question of Programming
    • Advice to Moviegoers
    • Witness and Catalyst
    • The Structuralist Incursion
    • Mechanisms of Domination
    • The Execution
    • The Pointer Moves
    • Memory and Prevention
    • Democracy – Manipulations and Possibilities
    • Fields of Rain
    • Singing Regardless
      of Weather
    • Tremors of Recognition
    • Brief story outline for a
      film concerning God
    • JFK: The Question
      of Propaganda
    • On Seeing a Mirage
    • Thirteen Confusions
    • Shadows
    • The Power of Books
    • Philosophy in the Surf
    • Limits of Neo-Realism
    • The Unfulfilled Promise of Film at Lincoln Center
• “Look out Haskell,
  it’s real!”
  • “Look out Haskell,
    it’s real!”
  • The Concrete Wilderness
  • First draft script
  • Handbook of
    Production Information
  • Preliminary Production
    Notes and Synopsis
  • Articles and Interviews
    • Notes on Involved Commercial Cinema
    • To the Barricades
    • The camera never lies
    • Film Quarterly
    • Todd Gitlin
    • Pulling Out All the F-Stops
    • Chicago and
      Other Violences
    • A View of the Future
    • The People’s Cinematographer
    • American Cinematographer
    • Journey Toward a Dream
    • The Danger Is Seduction
    • Nothing is Real
    • The ‘Woolf’s’ Young Turk
    • Sight and Sound
    • Cinematographer Who Pictures Reponsibility
    • Finally Coming In
      From the ‘Cool’
    • ‘Medium Cool’ for
      the Medium Young
    • Chicago Cool
    • Christian Science Monitor
    • Senses of Cinema
    • Too Hot Not to Cool Down
    • Wexler’s Woes on First Pic
    • David James
    • Verna Bloom
  • Reviews
    • Films for Us
      Voyeurs of Violence
    • Getting Warm
    • Philip French
    • Cineaste
    • Los Angeles Times
    • Washington Post
    • New York Times
    • Hollywood Reporter
    • To Observe is
      to Get Involved
    • Films and Filming
    • Arthur Schlesinger
    • Chicago Tribune
    • Los Angeles
      Herald Examiner
    • Roger Ebert
    • The Film of Social Reality
    • The pitying eye
    • Time magazine