Pages in this section
- A Time to Stir
- A Time to Stir
- Stir It Up
- Articles and Documents
- Up Against the Ivy Wall
- Open Letter to
President Kirk from
Mark Rudd - The Strike: A Critical Reappraisal
- The 214th Columbia University Commencement Address
- A Campus Rebel’s Confession
- Columbia Liberated
- Why We Strike
- “Gym Crow Must Go!”
- Big Bust on
Morningside Heights - Two, Three, Many Columbias
- Who Rules Columbia?
- Columbia College
Today 1968 - Our Demands
- In a Crisis the
Center Falls Out - The Columbia Crisis
- Right Face, Left Face
- The Night They Burned Ranum’s Papers
- Who Cares for Columbia?
- Columbia by Mark Rudd
- A Flawed Example of the Radical Movement
- Black Power at Columbia
- Tom Hayden
- Remaking a Community
- The Columbia Statement
- 69 Demands
- The Campus and its Critics
- On the Steps
of Low Library - The Uprising at Columbia
- Naked Under
the Waterfall - Once out of nature…
- In the Beginning
was the Image- In the Beginning
was the Image - Dialogue Transcript
- Watch the film
- Articles
- BBC Bans Jagger’s Film
- Wholly Experience
- Film Man’s Philosophy
- A Briton Who Came
to Manhattan - The London Scene
- The Fall
- I Destroy Therefore I Am
- Taboo or not taboo
- Mind Games
- Peter’s Friends
- Wholly Communion
- Ted Hughes
- Notes from Underground
- Those crazy, joyous days
- Peter Whitehead
Was There - How the Mythology of
1960s Was Exploited to
Sell Tony Blair - Warsaw Ghetto
- On Independence
- The Perception of Life
- Going to Pot
- Illuminating the Evidence
- The Falconer: The Three Lives of Peter Whitehead
- The Inadvertent Agent
- Falconry
- In the Beginning
- Mackendrick on Film
- Film as a
Subversive Art- Film as a Subversive Art
- Dialogue Transcript
- Watch the film
- Amos Vogel
- Book extract: Preface
- Book extract: Introduction
- Film Quarterly review
- Scott Macdonald interview
- Marcia Vogel
- Time Out New York
- Life as a Subversive Art
- My Modest Intention
- Writings by Amos Vogel
- Cinema 16 – A Showcase
for the Nonfiction Film - Avant-garde Film
- Film as a Subversive Art
- The Camera as Pen
- Dogs and Jews
- Cinema 16 and the
Question of Programming - Advice to Moviegoers
- Witness and Catalyst
- The Structuralist Incursion
- Mechanisms of Domination
- The Execution
- The Pointer Moves
- Memory and Prevention
- Democracy – Manipulations and Possibilities
- Fields of Rain
- Singing Regardless
of Weather - Tremors of Recognition
- Brief story outline for a
film concerning God - JFK: The Question
of Propaganda - On Seeing a Mirage
- Thirteen Confusions
- Shadows
- The Power of Books
- Philosophy in the Surf
- Limits of Neo-Realism
- The Unfulfilled Promise of Film at Lincoln Center
- Cinema 16 – A Showcase
- “Look out Haskell,
it’s real!”- “Look out Haskell,
it’s real!” - The Concrete Wilderness
- First draft script
- Handbook of
Production Information - Preliminary Production
Notes and Synopsis - Articles and Interviews
- Medium Cool and Uninvolvement
- Notes on Involved Commercial Cinema
- To the Barricades
- The camera never lies
- Film Quarterly
- Todd Gitlin
- Pulling out all the f-stops
- Chicago and
Other Violences - A View of the Future
- The People’s Cinematographer
- American Cinematographer
- Journey Toward a Dream
- The Danger Is Seduction
- “See, nothing is ‘real’”
- The ‘Woolf’s’ Young Turk
- Sight and Sound
- Cinematographer Who Pictures Reponsibility
- Finally Coming In
From the ‘Cool’ - ‘Medium Cool’ for
the Medium Young - Chicago Cool
- Filming on a Mortgage
- Senses of Cinema
- Too Hot Not to Cool Down
- Wexler’s Woes on First Pic
- David James
- Our Time:
Arlo and Chicago - Robert Forster
- Verna Bloom
- Ken Moskowitz
- Haskell Wexler’s Latino
- Reviews
- Richard Schickel
- Penelope Gilliatt
- Philip French
- Paul Arthur
- Charles Champlin
- Gary Arnold
- Vincent Canby
- John Mahoney
- Jim Marugg
- Gordon Gow
- Arthur Schlesinger
- Gene Siskel
- Michael Ross
- Roger Ebert
- Hollis Alpert
- Tom Milne
- Jay Cocks
- William S. Pechter
- Stephen Farber
- Andrew Sarris
- John Simon
- Stanley Kauffmann
- Rex Reed
- Joseph Morgenstern
- Hendrik Hertzberg
- Jan Dawson
- Whitney Williams
- Dan Wakefield
- Penelope Houston
- John Coleman
- Richard Whitehall
- “Look out Haskell,
- Sooner or Later
- A Time to Stir