Pages in this section
- A Time to Stir
- Introduction
- Stir It Up
- Articles and Documents
- Up Against the Ivy Wall
- Open Letter to
President Kirk from
Mark Rudd - The Strike: A Critical Reappraisal
- The 214th Columbia University Commencement Address
- A Campus Rebel’s Confession
- Columbia Liberated
- Why We Strike
- “Gym Crow Must Go!”
- Big Bust on
Morningside Heights - Two, Three, Many Columbias
- Who Rules Columbia?
- Columbia College
Today 1968 - Our Demands
- In a Crisis the
Center Falls Out - The Columbia Crisis
- Right Face, Left Face
- The Night They Burned Ranum’s Papers
- Who Cares for Columbia?
- Columbia by Mark Rudd
- A Flawed Example of the Radical Movement
- Black Power at Columbia
- Tom Hayden
- Remaking a Community
- The Columbia Statement
- 69 Demands
- The Campus and its Critics
- On the Steps
of Low Library - The Uprising at Columbia
- Naked Under
the Waterfall - Once out of nature…
- In the Beginning
was the Image- Introduction
- In the Beginning
was the Image - Dialogue Transcript
- Articles
- BBC Bans Jagger’s Film
- Wholly Experience
- Film Man’s Philosophy
- A Briton Who Came
to Manhattan - The London Scene
- The Fall
- I Destroy Therefore I Am
- Taboo or not taboo
- Mind Games
- Peter’s Friends
- Wholly Communion
- Ted Hughes
- Notes from Underground
- Those crazy, joyous days
- Peter Whitehead
Was There - How the Mythology of
1960s Was Exploited to
Sell Tony Blair - Warsaw Ghetto
- On Independence
- The Perception of Life
- Going to Pot
- Illuminating the Evidence
- The Falconer: The Three Lives of Peter Whitehead
- The Inadvertent Agent
- Falconry
- Mackendrick on Film
- Film as a
Subversive Art- Introduction
- Film as a Subversive Art
- Dialogue Transcript
- Amos Vogel 1921 – 2012
- Book extract: Preface
- Book extract: Introduction
- Scott MacDonald foreword
- Film Quarterly review
- Scott Macdonald interview
- Time Out New York
- Life as a Subversive Art
- My Modest Intention
- Amos Vogel, Saboteur
- Marcia Vogel 1921 – 2009
- Poetry and the Film
A Cinema 16 Symposium - On Shadows and
Pull My Daisy - The Unfulfilled Promise of Film at Lincoln Center
- “Look out Haskell,
it’s real!”- Introduction
- “Look out Haskell, it’s real!” The Making of Medium Cool
- Dialogue Transcript
- The Concrete Wilderness
- First draft script
- Handbook of
Production Information - Preliminary Production
Notes and Synopsis - Articles and Interviews
- New Twist: Write Script,
Let Riots Happen - The World According
to Wexler - Notes on Involved Commercial Cinema
- To the Barricades
- The camera never lies
- Pulling out all the f-stops
- Chicago and
Other Violences - A View of the Future
- The People’s Cinematographer
- American Cinematographer
- Journey Toward a Dream
- The Danger Is Seduction
- “See, nothing is ‘real’”
- The ‘Woolf’s’ Young Turk
- Sight and Sound
- Cinematographer Who Pictures Reponsibility
- Finally Coming In
From the ‘Cool’ - ‘Medium Cool’ for
the Medium Young - Chicago Cool
- Filming on a Mortgage
- Michael Renov
- Senses of Cinema
- Too Hot Not to Cool Down
- Wexler’s Woes on First Pic
- Our Time:
Arlo and Chicago - Robert Forster
- Verna Bloom
- National Film Registry
- Haskell Wexler’s Latino
- New Twist: Write Script,
- Reviews and Commentary
- Hollis Alpert
- Gary Arnold
- Paul Arthur
- Vincent Canby
- Charles Champlin
- Dennis J. Cipnic
- Jay Cocks
- John Coleman
- Richard Corliss
- Jan Dawson
- Peter David Dibble
- Roger Ebert 1
- Roger Ebert 2
- Stephen Farber
- Philip French
- Penelope Gilliatt
- Todd Gitlin
- Gordon Gow
- Howard Hampton
- Hendrik Hertzberg
- Penelope Houston
- David James
- Stanley Kauffmann
- John Mahoney
- Derek Malcolm
- Jim Marugg
- Tom Milne
- Joseph Morgenstern
- Penelope Mortimer
- Ken Moskowitz
- William S. Pechter
- Rex Reed
- Michael Ross
- Andrew Sarris
- Richard Schickel
- Arthur Schlesinger
- Marie Seton
- Judith Shatnoff
- John Simon
- Gene Siskel
- Louise Sweeney
- Dan Wakefield
- Richard Whitehall
- Whitney Williams
- Sooner or Later
- A Time to Stir