The Sticking Place

• Films
  • A Time to Stir
    • A Time to Stir
    • Stir It Up
    • Articles and Documents
      • Open Letter to
        President Kirk from
        Mark Rudd
      • The Strike: A Critical Reappraisal
      • The 214th Columbia University Commencement Address
      • A Campus Rebel’s Confession
      • Columbia Liberated
      • Why We Strike
      • Gym Crow Must Go!
      • Big Bust on
        Morningside Heights
      • Two, Three, Many Columbias
      • Who Rules Columbia?
      • Columbia College
        Today 1968
      • Our Demands
      • In a Crisis the
        Center Falls Out
      • The Columbia Crisis
      • Right Face, Left Face
      • The Night They Burned Ranum’s Papers
      • Who Cares for Columbia?
      • Columbia by Mark Rudd
      • A Flawed Example of the Radical Movement
      • Black Power at Columbia
      • Tom Hayden
      • Remaking a Community
      • The Columbia Statement
      • 69 Demands
  • Sooner or Later
    • Sooner or Later
    • Extracts from film
    • Harold Blankenship
      is a movie star
    • Family
    • Sixteen Ton
    • Appalachian Values
    • Uptown: The Promised Land
    • Poor People’s Power
    • Appalachia: The Source
    • The Hillbillies
      Invade Chicago
    • Poverty is a Tougher
      Problem Than Ever
  • Once out of nature…
    • Once out of nature…
  • In the Beginning
    was the Image
    • In the Beginning
      was the Image
    • Dialogue Transcript
    • Extracts from film
    • Articles
      • BBC Bans Jagger’s Film
      • Wholly Experience
      • Film Man’s Philosophy
      • A Briton Who Came
        to Manhattan
      • The London Scene
      • The Fall
      • I Destroy Therefore I Am
      • Taboo or not taboo
      • Mind Games
      • Peter’s Friends
      • Wholly Communion
      • Ted Hughes
      • Notes from Underground
      • Those crazy, joyous days
      • Peter Whitehead
        Was There
      • How the Mythology of
        1960s Was Exploited to
        Sell Tony Blair
      • Warsaw Ghetto
      • On Independence
      • The Perception of Life
      • Going to Pot
      • Illuminating the Evidence
      • The Falconer: The Three Lives of Peter Whitehead
      • The Inadvertent Agent
    • Falconry
      • Whitehead’s flight
        with the falcon
      • Briton Helps Falcons
        Learn to Live
      • Falcon Man of the Asir
      • Seeking Enlightenment
      • Falcon smuggling and the British connection
      • Falcons find
        breeding at Asir
      • Appeal of Falconry
        Remains Strong
      • Rare falcons die
        in Spain’s net
  • Mackendrick on Film
    • Mackendrick on Film
    • Study Sheets
    • Letter to Students
    • Dramatic Jargon
    • Organising the Questions
    • Handouts
      • The Third Man
      • Oedipus
      • The Watergate Hearings
    • Book: On Film-Making
  • Film as a
    Subversive Art
    • Film as a Subversive Art
    • Dialogue Transcript
    • Extracts from film
    • Amos Vogel
    • Book extract: Preface
    • Book extract: Introduction
    • Film Quarterly review
    • Scott Macdonald interview
    • Marcia Vogel
    • Time Out New York
    • Life as a Subversive Art
    • My Modest Intention
    • Writings by Amos Vogel
      • Cinema 16 – A Showcase
        for the Nonfiction Film
      • Avant-garde Film
      • Film as a Subversive Art
      • The Camera as Pen
      • Dogs and Jews
      • Cinema 16 and the
        Question of Programming
      • Advice to Moviegoers
      • Witness and Catalyst
      • The Structuralist Incursion
      • Mechanisms of Domination
      • The Execution
      • The Pointer Moves
      • Memory and Prevention
      • Democracy – Manipulations and Possibilities
      • Fields of Rain
      • Singing Regardless
        of Weather
      • Tremors of Recognition
      • Brief story outline for a
        film concerning God
      • JFK: The Question
        of Propaganda
      • On Seeing a Mirage
      • Thirteen Confusions
      • Shadows
      • The Power of Books
      • Philosophy in the Surf
      • Limits of Neo-Realism
      • The Unfulfilled Promise of Film at Lincoln Center
  • “Look out Haskell,
    it’s real!”
    • “Look out Haskell,
      it’s real!”
    • The Concrete Wilderness
    • First draft script
    • Handbook of
      Production Information
    • Preliminary Production
      Notes and Synopsis
    • Articles and Interviews
      • Notes on Involved Commercial Cinema
      • To the Barricades
      • The camera never lies
      • Film Quarterly
      • Todd Gitlin
      • Pulling Out All the F-Stops
      • Chicago and
        Other Violences
      • A View of the Future
      • The People’s Cinematographer
      • American Cinematographer
      • Journey Toward a Dream
      • The Danger Is Seduction
      • Nothing is Real
      • The ‘Woolf’s’ Young Turk
      • Sight and Sound
      • Cinematographer Who Pictures Reponsibility
      • Finally Coming In
        From the ‘Cool’
      • ‘Medium Cool’ for
        the Medium Young
      • Chicago Cool
      • Christian Science Monitor
      • Senses of Cinema
      • Too Hot Not to Cool Down
      • Wexler’s Woes on First Pic
      • David James
      • Verna Bloom
    • Reviews
      • Films for Us
        Voyeurs of Violence
      • Getting Warm
      • Philip French
      • Cineaste
      • Los Angeles Times
      • Washington Post
      • New York Times
      • Hollywood Reporter
      • To Observe is
        to Get Involved
      • Films and Filming
      • Arthur Schlesinger
      • Chicago Tribune
      • Los Angeles
        Herald Examiner
      • Roger Ebert
      • The Film of Social Reality
      • The pitying eye
      • Time magazine
• Contact