The Sticking Place
Theatre
Film
Books
Pages in this section
Introduction
Dialogue Transcript
Biography of Amos Vogel
Extract: Preface
Extract: Introduction
Watch a Clip
Press Release
Films
A Time to Stir
Introduction
Articles
Open Letter to President Kirk from Mark Rudd
The Strike: A Critical Reappraisal
The 214th Columbia University Commencement Address
A Campus Rebel’s Confession
Columbia Liberated (pdf)
Why we Strike (pdf)
Gym Crow Must Go!
Big Bust on Morningside Heights
Two, Three, Many Columbias
Who Rules Columbia? (pdf)
Columbia College Today 1968 (pdf)
Our Demands
In a Crisis the Center Falls Out (pdf)
Stir It Up
Sooner or Later
Introduction
A movie star
Sixteen Ton
Appalachian values
The Hillbillies Invade Chicago
Family
Videos
Uptown: The Promised Land
Poor People’s Power
Appalachia: the Source
Once out of nature…
Transcript
In the Beginning
was the Image
Introduction
Dialogue Transcript
Articles
BBC Bans Jagger’s Film
Wholly Experience
Film Man’s Philosophy
A Briton Who Came
to Manhattan
The London Scene
The Fall
I Destroy Therefore I Am
Taboo Or Not Taboo
Mind Games
Whitehead’s Flight
With The Falcon
Briton Helps Falcons
Learn to Live
The Falconer (pdf)
Falcon Man of the Asir
Peter’s Friends
Seeking Enlightenment
Wholly Communion
Ted Hughes
Notes from Underground
Those crazy, joyous days
Ein Hedonist der Skepsis (pdf)
Peter Whitehead Was There
How the Mythology of 1960s Was Exploited to Sell Tony Blair
Entropy
Warsaw Ghetto
On Independence
Watch a Clip
Videos
Mackendrick on Film
Introduction
Study Sheets (pdf)
Dramatic Jargon (pdf)
Organising the questions
On Film-Making
Film as a
Subversive Art
Introduction
Dialogue Transcript
Biography of Amos Vogel
Extract: Preface
Extract: Introduction
Watch a Clip
Press Release
“Look Out Haskell,
It’s Real!”
Introduction
Articles
Notes on Involved Commercial Cinema
To the Barricades
The Camera Never Lies
Film Quarterly
Todd Gitlin
Pulling Out All the F-Stops
Films for Us Voyeurs of Violence
Chicago and Other Violences
A View of the Future
The People’s Cinematographer
American Cinematographer (pdf)
Journey Toward a Dream
The Danger is Seduction
Roger Ebert
Nothing is Real
Contact