Pages in this section
- Introduction
- “Look out Haskell, it’s real!” The Making of Medium Cool
- Dialogue Transcript
- The Concrete Wilderness
- First draft script
- Handbook of
Production Information - Preliminary Production
Notes and Synopsis - Articles and Interviews
- New Twist: Write Script,
Let Riots Happen - The World According
to Wexler - Notes on Involved Commercial Cinema
- To the Barricades
- The camera never lies
- Pulling out all the f-stops
- Chicago and
Other Violences - A View of the Future
- The People’s Cinematographer
- American Cinematographer
- Journey Toward a Dream
- The Danger Is Seduction
- “See, nothing is ‘real’”
- The ‘Woolf’s’ Young Turk
- Sight and Sound
- Cinematographer Who Pictures Reponsibility
- Finally Coming In
From the ‘Cool’ - ‘Medium Cool’ for
the Medium Young - Chicago Cool
- Filming on a Mortgage
- Michael Renov
- Senses of Cinema
- Too Hot Not to Cool Down
- Wexler’s Woes on First Pic
- Our Time:
Arlo and Chicago - Robert Forster
- Verna Bloom
- National Film Registry
- Haskell Wexler’s Latino
- New Twist: Write Script,
- Reviews and Commentary
- Hollis Alpert
- Gary Arnold
- Paul Arthur
- Vincent Canby
- Charles Champlin
- Dennis J. Cipnic
- Jay Cocks
- John Coleman
- Richard Corliss
- Jan Dawson
- Peter David Dibble
- Roger Ebert 1
- Roger Ebert 2
- Stephen Farber
- Philip French
- Penelope Gilliatt
- Todd Gitlin
- Gordon Gow
- Howard Hampton
- Hendrik Hertzberg
- Penelope Houston
- David James
- Stanley Kauffmann
- John Mahoney
- Derek Malcolm
- Jim Marugg
- Tom Milne
- Joseph Morgenstern
- Penelope Mortimer
- Ken Moskowitz
- William S. Pechter
- Rex Reed
- Michael Ross
- Andrew Sarris
- Richard Schickel
- Arthur Schlesinger
- Marie Seton
- Judith Shatnoff
- John Simon
- Gene Siskel
- Louise Sweeney
- Dan Wakefield
- Richard Whitehall
- Whitney Williams