The Sticking Place
Theatre
Film
Books
How an Academy Award-winning cinematographer scripted, co-produced, directed and photographed a feature which may become a
cinema classic
.
Films
A Time to Stir
A Time to Stir
Open Letter to
President Kirk from
Mark Rudd
The Strike: A Critical Reappraisal
The 214th Columbia University Commencement Address
A Campus Rebel’s Confession
Columbia Liberated
Why We Strike
Gym Crow Must Go!
Big Bust on
Morningside Heights
Two, Three, Many Columbias
Who Rules Columbia?
Columbia College
Today 1968
Our Demands
In a Crisis the
Center Falls Out
Stir It Up
The Columbia Crisis
Right Face, Left Face
The Night They Burned Ranum’s Papers
Sooner or Later
Sooner or Later
Extracts from film
Harold Blankenship
is a movie star
Family
Sixteen Ton
Appalachian values
Uptown: The Promised Land
Poor People’s Power
Appalachia: The Source
The Hillbillies
Invade Chicago
Poverty is a Tougher
Problem Than Ever
Once out of nature…
Once out of nature…
In the Beginning
was the Image
In the Beginning
was the Image
Dialogue Transcript
Extracts from film
BBC Bans Jagger’s Film
Wholly Experience
Film Man’s Philosophy
A Briton Who Came
to Manhattan
The London Scene
The Fall
I Destroy Therefore I Am
Taboo Or Not Taboo
Mind Games
Whitehead’s flight
with the falcon
Briton Helps Falcons
Learn to Live
Falcon Man of the Asir
Peter’s Friends
Seeking Enlightenment
Wholly Communion
Ted Hughes
Notes from Underground
Those crazy, joyous days
Peter Whitehead Was There
How the Mythology of
1960s Was Exploited to
Sell Tony Blair
The Falconer: The Three Lives of Peter Whitehead
Warsaw Ghetto
On Independence
The Perception of Life
Going to Pot
Illuminating the Evidence
Mackendrick on Film
Mackendrick on Film
Study Sheets
Dramatic Jargon
Organising the Questions
Book: On Film-Making
Film as a
Subversive Art
Film as a Subversive Art
Dialogue Transcript
Extracts from film
Amos Vogel
Book extract: Preface
Book extract: Introduction
Film Quarterly review
Scott Macdonald interview
Marcia Vogel
Time Out New York
Life as a Subversive Art
My Modest Intention
Cinema 16 – A Showcase
for the Nonfiction Film
Avant-garde Film
Film as a Subversive Art
The Camera as Pen
Dogs and Jews
Cinema 16 and the
Question of Programming
Advice to Moviegoers
Witness and Catalyst
The Structuralist Incursion
Mechanisms of Domination
The Execution
The Pointer Moves
Memory and Prevention
Democracy – Manipulations and Possibilities
Fields of Rain
Singing Regardless
of Weather
Tremors of Recognition
Brief story outline for a
film concerning God
JFK: The Question
of Propaganda
On Seeing a Mirage
Thirteen Confusions
Shadows
The Power of Books
Philosophy in the Surf
Limits of Neo-Realism
The Unfulfilled Promise of Film at Lincoln Center
“Look out Haskell,
it’s real!”
“Look out Haskell,
it’s real!”
Notes on Involved Commercial Cinema
To the Barricades
The camera never lies
Film Quarterly
Todd Gitlin
Pulling Out All the F-Stops
Films for Us
Voyeurs of Violence
Chicago and Other Violences
A View of the Future
The People’s Cinematographer
American Cinematographer
Journey Toward a Dream
The Danger Is Seduction
Nothing is Real
Getting Warm
The “Woolf’s” Young Turk
Sight and Sound
Philip French
The Concrete Wilderness
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