The Sticking Place
Theatre
Film
Books
© Dennis J.Cipnic/Infinity (November 1969)
All rights reserved by the original copyright holders
Films
A Time to Stir
A Time to Stir
Stir It Up
Articles and Documents
Up Against the Ivy Wall
Open Letter to
President Kirk from
Mark Rudd
The Strike: A Critical Reappraisal
The 214th Columbia University Commencement Address
A Campus Rebel’s Confession
Columbia Liberated
Why We Strike
“Gym Crow Must Go!”
Big Bust on
Morningside Heights
Two, Three, Many Columbias
Who Rules Columbia?
Columbia College
Today 1968
Our Demands
In a Crisis the
Center Falls Out
The Columbia Crisis
Right Face, Left Face
The Night They Burned Ranum’s Papers
Who Cares for Columbia?
Columbia by Mark Rudd
A Flawed Example of the Radical Movement
Black Power at Columbia
Tom Hayden
Remaking a Community
The Columbia Statement
69 Demands
The Campus and its Critics
On the Steps
of Low Library
The Uprising at Columbia
Naked Under
the Waterfall
Naked Under
the Waterfall
Once out of nature…
Once out of nature…
Watch the film
In the Beginning
was the Image
In the Beginning
was the Image
Dialogue Transcript
Watch the film
Articles
BBC Bans Jagger’s Film
Wholly Experience
Film Man’s Philosophy
A Briton Who Came
to Manhattan
The London Scene
The Fall
I Destroy Therefore I Am
Taboo or not taboo
Mind Games
Peter’s Friends
Wholly Communion
Ted Hughes
Notes from Underground
Those crazy, joyous days
Peter Whitehead
Was There
How the Mythology of
1960s Was Exploited to
Sell Tony Blair
Warsaw Ghetto
On Independence
The Perception of Life
Going to Pot
Illuminating the Evidence
The Falconer: The Three Lives of Peter Whitehead
The Inadvertent Agent
Falconry
Whitehead’s flight
with the falcon
Briton Helps Falcons
Learn to Live
Falcon Man of the Asir
Seeking Enlightenment
Falcon smuggling and the British connection
Falcons find
breeding at Asir
Appeal of Falconry
Remains Strong
Rare falcons die
in Spain’s net
Mackendrick on Film
Mackendrick on Film
Study Sheets
Letter to Students
Dramatic Jargon
Organising the Questions
Handouts
A Streetcar Named Desire
8½
The Third Man
Oedipus
The Watergate Hearings
Aristotle, Archer
and Lawson
Book: On Film-Making
Film as a
Subversive Art
Film as a Subversive Art
Dialogue Transcript
Watch the film
Amos Vogel
Book extract: Preface
Book extract: Introduction
Film Quarterly review
Scott Macdonald interview
Marcia Vogel
Time Out New York
Life as a Subversive Art
My Modest Intention
Writings by Amos Vogel
Cinema 16 – A Showcase
for the Nonfiction Film
Avant-garde Film
Film as a Subversive Art
The Camera as Pen
Dogs and Jews
Cinema 16 and the
Question of Programming
Advice to Moviegoers
Witness and Catalyst
The Structuralist Incursion
Mechanisms of Domination
The Execution
The Pointer Moves
Memory and Prevention
Democracy – Manipulations and Possibilities
Fields of Rain
Singing Regardless
of Weather
Tremors of Recognition
Brief story outline for a
film concerning God
JFK: The Question
of Propaganda
On Seeing a Mirage
Thirteen Confusions
Shadows
The Power of Books
Philosophy in the Surf
Limits of Neo-Realism
The Unfulfilled Promise of Film at Lincoln Center
“Look out Haskell,
it’s real!”
“Look out Haskell,
it’s real!”
The Concrete Wilderness
First draft script
Handbook of
Production Information
Preliminary Production
Notes and Synopsis
Articles and Interviews
Medium Cool and Uninvolvement
Notes on Involved Commercial Cinema
To the Barricades
The camera never lies
Film Quarterly
Todd Gitlin
Pulling out all the f-stops
Chicago and
Other Violences
A View of the Future
The People’s Cinematographer
American Cinematographer
Journey Toward a Dream
The Danger Is Seduction
“See, nothing is ‘real’”
The ‘Woolf’s’ Young Turk
Sight and Sound
Cinematographer Who Pictures Reponsibility
Finally Coming In
From the ‘Cool’
‘Medium Cool’ for
the Medium Young
Chicago Cool
Filming on a Mortgage
Senses of Cinema
Too Hot Not to Cool Down
Wexler’s Woes on First Pic
David James
Our Time:
Arlo and Chicago
Robert Forster
Verna Bloom
Ken Moskowitz
Haskell Wexler’s Latino
Reviews
Richard Schickel
Penelope Gilliatt
Philip French
Paul Arthur
Charles Champlin
Gary Arnold
Vincent Canby
John Mahoney
Jim Marugg
Gordon Gow
Arthur Schlesinger
Gene Siskel
Michael Ross
Roger Ebert
Hollis Alpert
Tom Milne
Jay Cocks
William S. Pechter
Stephen Farber
Andrew Sarris
John Simon
Stanley Kauffmann
Rex Reed
Joseph Morgenstern
Hendrik Hertzberg
Jan Dawson
Whitney Williams
Dan Wakefield
Penelope Houston
John Coleman
Richard Whitehall
Sooner or Later
Sooner or Later
Watch the film
Harold Blankenship
is a movie star
Family
Sixteen Ton
Appalachian Values
Uptown: The Promised Land
Poor People’s Power
Appalachia: The Source
The Hillbillies
Invade Chicago
Poverty is a Tougher
Problem Than Ever
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