The Sticking Place

• Films
  • A Time to Stir
    • A Time to Stir
    • Open Letter to
      President Kirk from
      Mark Rudd
    • The Strike: A Critical Reappraisal
    • The 214th Columbia University Commencement Address
    • A Campus Rebel’s Confession
    • Columbia Liberated
    • Why We Strike
    • Gym Crow Must Go!
    • Big Bust on
      Morningside Heights
    • Two, Three, Many Columbias
    • Who Rules Columbia?
    • Columbia College
      Today 1968
    • Our Demands
    • In a Crisis the
      Center Falls Out
    • Stir It Up
    • The Columbia Crisis
    • Right Face, Left Face
    • The Night They Burned Ranum’s Papers
  • Sooner or Later
    • Sooner or Later
    • Extracts from film
    • Harold Blankenship
      is a movie star
    • Family
    • Sixteen Ton
    • Appalachian values
    • Uptown: The Promised Land
    • Poor People’s Power
    • Appalachia: The Source
    • The Hillbillies
      Invade Chicago
    • Poverty is a Tougher
      Problem Than Ever
  • Once out of nature…
    • Once out of nature…
  • In the Beginning
    was the Image
    • In the Beginning
      was the Image
    • Dialogue Transcript
    • Extracts from film
    • BBC Bans Jagger’s Film
    • Wholly Experience
    • Film Man’s Philosophy
    • A Briton Who Came
      to Manhattan
    • The London Scene
    • The Fall
    • I Destroy Therefore I Am
    • Taboo Or Not Taboo
    • Mind Games
    • Whitehead’s flight
      with the falcon
    • Briton Helps Falcons
      Learn to Live
    • Falcon Man of the Asir
    • Peter’s Friends
    • Seeking Enlightenment
    • Wholly Communion
    • Ted Hughes
    • Notes from Underground
    • Those crazy, joyous days
    • Peter Whitehead Was There
    • How the Mythology of
      1960s Was Exploited to
      Sell Tony Blair
    • The Falconer: The Three Lives of Peter Whitehead
    • Warsaw Ghetto
    • On Independence
    • The Perception of Life
    • Going to Pot
    • Illuminating the Evidence
  • Mackendrick on Film
    • Mackendrick on Film
    • Study Sheets
    • Dramatic Jargon
    • Organising the Questions
    • Book: On Film-Making
  • Film as a
    Subversive Art
    • Film as a Subversive Art
    • Dialogue Transcript
    • Extracts from film
    • Amos Vogel
    • Book extract: Preface
    • Book extract: Introduction
    • Film Quarterly review
    • Scott Macdonald interview
    • Marcia Vogel
    • Time Out New York
    • Life as a Subversive Art
    • My Modest Intention
    • Cinema 16 – A Showcase
      for the Nonfiction Film
    • Avant-garde Film
    • Film as a Subversive Art
    • The Camera as Pen
    • Dogs and Jews
    • Cinema 16 and the
      Question of Programming
    • Advice to Moviegoers
    • Witness and Catalyst
    • The Structuralist Incursion
    • Mechanisms of Domination
    • The Execution
    • The Pointer Moves
    • Memory and Prevention
    • Democracy – Manipulations and Possibilities
    • Fields of Rain
    • Singing Regardless
      of Weather
    • Tremors of Recognition
    • Brief story outline for a
      film concerning God
    • JFK: The Question
      of Propaganda
    • On Seeing a Mirage
    • Thirteen Confusions
    • Shadows
    • The Power of Books
    • Philosophy in the Surf
    • Limits of Neo-Realism
    • The Unfulfilled Promise of Film at Lincoln Center
  • “Look out Haskell,
    it’s real!”
    • “Look out Haskell,
      it’s real!”
    • Notes on Involved Commercial Cinema
    • To the Barricades
    • The camera never lies
    • Film Quarterly
    • Todd Gitlin
    • Pulling Out All the F-Stops
    • Films for Us
      Voyeurs of Violence
    • Chicago and Other Violences
    • A View of the Future
    • The People’s Cinematographer
    • American Cinematographer
    • Journey Toward a Dream
    • The Danger Is Seduction
    • Nothing is Real
    • Getting Warm
    • The “Woolf’s” Young Turk
    • Sight and Sound
    • Philip French
    • The Concrete Wilderness
• Contact