The Sticking Place
Theatre
Film
Books
A forthcoming film about triple Oscar-winning production sound mixer
Chris Newman
.
Films
A Time to Stir
Introduction
Stir It Up
Articles and Documents
Up Against the Ivy Wall
Open Letter to
President Kirk from
Mark Rudd
The Strike: A Critical Reappraisal
The 214th Columbia University Commencement Address
A Campus Rebel’s Confession
Columbia Liberated
Why We Strike
“Gym Crow Must Go!”
Big Bust on
Morningside Heights
Two, Three, Many Columbias
Who Rules Columbia?
Columbia College
Today 1968
Our Demands
In a Crisis the
Center Falls Out
The Columbia Crisis
Right Face, Left Face
The Night They Burned Ranum’s Papers
Who Cares for Columbia?
Columbia by Mark Rudd
A Flawed Example of the Radical Movement
Black Power at Columbia
Tom Hayden
Remaking a Community
The Columbia Statement
69 Demands
The Campus and its Critics
On the Steps
of Low Library
The Uprising at Columbia
Naked Under
the Waterfall
Naked Under
a Waterfall
Once out of nature…
Introduction
Once out of nature…
In the Beginning
was the Image
Introduction
In the Beginning
was the Image
Dialogue Transcript
Articles
BBC Bans Jagger’s Film
Wholly Experience
Film Man’s Philosophy
A Briton Who Came
to Manhattan
The London Scene
The Fall
I Destroy Therefore I Am
Taboo or not taboo
Mind Games
Peter’s Friends
Wholly Communion
Ted Hughes
Notes from Underground
Those crazy, joyous days
Peter Whitehead
Was There
How the Mythology of
1960s Was Exploited to
Sell Tony Blair
Warsaw Ghetto
On Independence
The Perception of Life
Going to Pot
Illuminating the Evidence
The Falconer: The Three Lives of Peter Whitehead
The Inadvertent Agent
Falconry
Whitehead’s flight
with the falcon
Briton Helps Falcons
Learn to Live
Falcon Man of the Asir
Seeking Enlightenment
Falcon smuggling and the British connection
Falcons find
breeding at Asir
Appeal of Falconry
Remains Strong
Rare falcons die
in Spain’s net
Mackendrick on Film
Mackendrick on Film
An Explanatory Note
to Participants
Study Sheets
A Handout for Participants
Dramatic Jargon
Dramatic Construction
Organising the Questions
Handouts
A Streetcar Named Desire
Fellini’s 8½
The Third Man
Oedipus
The Watergate Hearings
Book: On Film-Making
Film as a
Subversive Art
Introduction
Film as a Subversive Art
Dialogue Transcript
Amos Vogel 1921 – 2012
Book extract: Preface
Book extract: Introduction
Scott MacDonald foreword
Film Quarterly review
Scott Macdonald interview
Time Out New York
Life as a Subversive Art
My Modest Intention
Amos Vogel, Saboteur
Marcia Vogel 1921 – 2009
Poetry and the Film
A Cinema 16 Symposium
On Shadows and
Pull My Daisy
The Unfulfilled Promise of Film at Lincoln Center
“Look out Haskell,
it’s real!”
Introduction
“Look out Haskell, it’s real!” The Making of Medium Cool
Dialogue Transcript
The Concrete Wilderness
First draft script
Handbook of
Production Information
Preliminary Production
Notes and Synopsis
Articles and Interviews
New Twist: Write Script,
Let Riots Happen
The World According
to Wexler
Notes on Involved Commercial Cinema
To the Barricades
The camera never lies
Pulling out all the f-stops
Chicago and
Other Violences
A View of the Future
The People’s Cinematographer
American Cinematographer
Journey Toward a Dream
The Danger Is Seduction
“See, nothing is ‘real’”
The ‘Woolf’s’ Young Turk
Sight and Sound
Cinematographer Who Pictures Reponsibility
Finally Coming In
From the ‘Cool’
‘Medium Cool’ for
the Medium Young
Chicago Cool
Filming on a Mortgage
Michael Renov
Senses of Cinema
Too Hot Not to Cool Down
Wexler’s Woes on First Pic
Our Time:
Arlo and Chicago
Robert Forster
Verna Bloom
National Film Registry
Haskell Wexler’s Latino
Reviews and Commentary
Hollis Alpert
Gary Arnold
Paul Arthur
Vincent Canby
Charles Champlin
Dennis J. Cipnic
Jay Cocks
John Coleman
Richard Corliss
Jan Dawson
Peter David Dibble
Roger Ebert 1
Roger Ebert 2
Stephen Farber
Philip French
Penelope Gilliatt
Todd Gitlin
Gordon Gow
Howard Hampton
Hendrik Hertzberg
Penelope Houston
David James
Stanley Kauffmann
John Mahoney
Derek Malcolm
Jim Marugg
Tom Milne
Joseph Morgenstern
Penelope Mortimer
Ken Moskowitz
William S. Pechter
Rex Reed
Michael Ross
Andrew Sarris
Richard Schickel
Arthur Schlesinger
Marie Seton
Judith Shatnoff
John Simon
Gene Siskel
Louise Sweeney
Dan Wakefield
Richard Whitehall
Whitney Williams
Sooner or Later
Introduction
Sooner or Later
Harold Blankenship
is a movie star
Family
Sixteen Ton
Appalachian Values
Uptown: The Promised Land
Poor People’s Power
Appalachia: The Source
The Hillbillies
Invade Chicago
Poverty is a Tougher
Problem Than Ever
Contact
